<--- Overview of Advice on Writing Philosophy Papers
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Re: Annotated Bibliographies:
it is important to clearly distinguish your descriptive and evaluative annotations, and the differing parts within both (e.g., description of an author’s content from his/her method of conveying the content; evaluation of contents of an author’s arguments, conclusions, evidence, etc., from how s/he argues, concludes, evidences, etc.. Cf.:
Re: Other Helpful Links: To make an appointment with Research Librarians for help with anything connected to research (for any class): Resources for tips & guides on Writing Philosophy Papers: Guide to Recommended Chicago Style: Database of Print & Electronic Resources in Philosophy, notably, a link to ‘JSTOR,’ a great site for scholarly research: Database of Print & Electronic Resources in English, notably, a link to ‘Project MUSE,’ a great site for scholarly research: Undergraduate Research Commons, a database of notable work from undergrads worldwide across most disciplines: Belmont Writing Center: |
Re: Documentary Research Projects:
two aspects to consider when selecting, using, and reflecting on documents as evidential materials: (1) Contents of Suitable ‘Archive’—balance scholarly rigor with open-mindedness; materials should be evaluated as to the nature and scope of their validity (e.g., the types of ‘documents’ vary, e.g., films, ephemera, journal articles, letters, public records, and will imply correspondingly variable criteria for determining their validity, e.g., a scientific study should be peer-reviewed, an ad’s publication demographics should be considered); (2) Diversity of Researcher Ends—consider your research ends (aim, intent, goal) and whether you will restrict yourself to a single, well-defined end or employ diverse ends (e.g., social sciences diverge on the degree of quantitative vs. qualitative inquiry, but overall value statistical work more than the humanities, which tend to hermeneutic and aesthetic inquiry, paying more attention to the methodological and pedagogical practices of the materials’ creators, e.g., why did it use a documentary form, does it rely on expert testimony, does it aim to realistically depict something or aspirational motivation, etc.. Cf.: |